Festival review: Wild Life 2017

Three years in, Disclosure and Rudimental’s south coast weekender continues to show just how much music organisers can cram into a minute airfield, even if it does start to feel like three festivals in one.

Originally published in The Edge

Boarding a train to Shoreham-by-Sea whilst running on about two hours of sleep and with only two-thirds of a malt loaf for company, it’s fair to say that the only tangible spurs of any modicum of festival spirit within me on the way to Wild Life were the bizarrely resplendent south coast weather and the promise of the musical goodness to be found within its fenced-off portion of Brighton City Airport. Eventually, mid-afternoon merriment did make itself known – many a Corona-grasping young person joined the service to the point that I assumed the beer bottles were the festival’s answer to wristbands, and within five minutes of walking from the station the more wild side of the crowd had made itself known by urinating into four separate bushes – but where the festival spearheaded by Disclosure and Rudimental flourishes is certainly in its performance offerings, fitting four substantial stages into a very compact layout. Continue reading “Festival review: Wild Life 2017”

Album review: Katy B – Honey

An evident passion project that chuckles sultrily at the mould of a pop songstress’ third album, Honey’s variety and underground spirit gets lost in its own intentions as Katy B embraces, and is embraced by, the ideas that brought her to this point.

Originally published in The Edge

When Geeneus, the founder of Rinse FM, wanted to celebrate the graduation of his station from a pirate aerial protruding from his flat window to an actual Ofcom licensee around the turn of the decade, he looked to Katy B to voice a production showreel of their underground producer and MC cohort. Instead, he handled the bulk of the production and picked up a scatter of writing credits on On A Mission and Little Red, records which bore the inflexions of their rave scene amidst angsty pop.

Those successes – Little Red topped the album chart in 2014 and 7 singles have struck the UK top 20 – have attracted a higher profile of guest for Honey, a subsequently supercharged incarnation of that original concept, and it is only Geeneus who can manage to squeeze in a second production nod courtesy of a bit of outro work. Each track is marketed as Katy B x [INSERT PRODUCER] with the exception of a new, Tinie Tempah-less rendition of KDA’s bubbly chart-topper ‘Turn The Music Louder (Rumble)’ upon which Katy featured last autumn, and over 20 collaborators are credited over its 53 minute runtime, including a scatter of UK rappers, Rinse-affiliated producers, and enough genre-hopping to exhaust the hive. Continue reading “Album review: Katy B – Honey”