Originally published in The Broadie
Although my sarcastic and weary demeanour may tend to convey otherwise, I don’t try to intentionally dismember what I review. Perhaps I may sit down at my desk and brace myself for an onslaught of mediocrity, an instinct that usually serves well through the likes of Miley Cyrus’ magnum opus Bangerz. Knife Party triggers this radar like a machete at airport security, but each time I take a listen to their noises I find myself pleasantly surprised about how much I don’t despise them. The music is typically just as humane as the name suggests, with stabbing synths and heavy percussion, but Rob Swire and Gareth McGrillen, the Australian duo who formed from the remnants of drum and bass ensemble Pendulum, have a perplexing knack of making it sound vaguely tolerable.
After a plethora of delays, debut album Abandon Ship has finally found the light of day, but alas, it’s immediately obvious that the pair shouldn’t have tried to spread out their inspiration, if you could so generously assign it that term, to a longer body of work than a four-track EP. Though the duo were keen to avoid having dubstep on the record, they’ve not strayed too far from their traditional ‘electro house’ stylings. Any exploration into new territories feels strained and disingenuous – almost as if their major label contract has shoehorned them into boxes more befitting of spoons and cake forks. Continue reading “Album review: Knife Party – Abandon Ship”