Single review: Calvin Harris feat. Frank Ocean & Migos – ‘Slide’

Harris’ first step to making you feel fucking incredible? A pleasant bass-led loop and realisation of your financial inadequacy.

Originally published in The Edge

“All my songs in 2017 have been sonically designed to make you feel fucking incredible,” tweeted Calvin Harris shortly before dropping the least Calvin Harris thing since the transition from chicken-lobbing synth-parading goofball to Vegas-dwelling chiselled Adonis, now decorated in the facial hair department with a veritable forest, commenced after 2009’s Ready For The Weekend. As such, it is only fair that we disregard Harris’ decade of pop heritage when assessing ‘Slide,’ which invites elusive carpenter and emotional maven Frank Ocean to lead the crooning whilst Quavo and Offset of ‘Bad And Boujee’ ad-libbers Migos squeak through augmentation and their oh-so-evident riches for a verse each, and instead consider how fucking incredible it can make one feel. Continue reading “Single review: Calvin Harris feat. Frank Ocean & Migos – ‘Slide’”

Album review: DJ Snake – Encore

A record in which personal signatures become tedious gimmicks and self-development turns regressive and unconfined, DJ Snake’s full-length debut is a profusely faulted conundrum.

Originally published in The Edge

When ‘Middle’ trickled out of relatively nowhere last October, I was confident that I’d uncovered a little gem. To an extent, that became true: six months later, it received a gold certification from the BPI after its optimism, particularly from Mancunian singer Bipolar Sunshine, and then-fresh stretched vocal snippets in the break came together to create a very solid pop song that happened to be DJ Snake’s first proper solo single. Though gathering acclaim since pitching in with ‘Government Hooker’ on Lady Gaga’s Born This Way, Paris-born William Grigahcine’s rise began properly with ‘Turn Down For What,’ an overwhelmingly brash party record with Lil Jon that is the mournful soundtrack to many a weekend hangover. Following work both with and around the likes of AlunaGeorge and Major Lazer, ‘Middle’ hinted at a more mature, well-realised output with a clear pop touch and listenability. Instead, Encore is a chaotic jumble of castoffs each found slipping into a trap of mediocrity. Continue reading “Album review: DJ Snake – Encore”