Don’t worry, there’s no Lil Pump/Big Shaq/Katy Perry/Chris & Kem/Ed Sheeran here.
2017 has been quite a year. To celebrate three things – its musical goodness, me finally getting things in order on these pages, and a year of better playlisting that’s allowed me to bring all the best bits together without it taking approximately a million years – here’s a collection of 101 of the best songs it’s spawned. There’ll be many more words, playlists, and things appearing here over the coming months, especially if I can figure out how to make Spotify embeds look as nice on WordPress as they can elsewhere, so do say hello if there’s anything you think I’ve missed.
Continue reading “101 songs that prove 2017 wasn’t entirely awful after all”
Three years in, Disclosure and Rudimental’s south coast weekender continues to show just how much music organisers can cram into a minute airfield, even if it does start to feel like three festivals in one.
Originally published in The Edge
Boarding a train to Shoreham-by-Sea whilst running on about two hours of sleep and with only two-thirds of a malt loaf for company, it’s fair to say that the only tangible spurs of any modicum of festival spirit within me on the way to Wild Life were the bizarrely resplendent south coast weather and the promise of the musical goodness to be found within its fenced-off portion of Brighton City Airport. Eventually, mid-afternoon merriment did make itself known – many a Corona-grasping young person joined the service to the point that I assumed the beer bottles were the festival’s answer to wristbands, and within five minutes of walking from the station the more wild side of the crowd had made itself known by urinating into four separate bushes – but where the festival spearheaded by Disclosure and Rudimental flourishes is certainly in its performance offerings, fitting four substantial stages into a very compact layout. Continue reading “Festival review: Wild Life 2017”
Overwhelmed by a 400+ artist lineup? We’re here to help.
Originally published in The Edge
Imagine the kind of festival that would nonchalantly complete its lineup on a Tuesday morning by adding 150 new names and you can begin to get a sense of what The Great Escape is all about. Forget faffing around in a muddy field and missing out on your favourite bands because your friends are making you wait in a half-decent perch for one headliner – The Great Escape is three days of the music industry converging in over 30 of Brighton’s finest venues to celebrate and be introduced to everything new and ready to take over. The archives are packed with household names who appeared before their big breakthroughs – from Adele in 2007 to The xx in 2009 via Christine And The Queens in 2013 and Bon Iver in 2008 – and this year’s bill now boasts well over 400 names ready to feature in the same conversations. Slaves will kick things off by gigging on the resplendent pier, local lad and two-time performer Rag‘n’Bone Man has already sold out his headline slot at the Dome, and Kano will take over the Old Market for some grime time on Friday night, but here’s just a little taste of the acts that you should keep a particular eye out for.
Continue reading “Acts you should catch at The Great Escape 2017”